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	<title>In the Line of Sight</title>
	<link>http://inthelineofsight.org</link>
	<description></description>
	<lastBuildDate>Mon, 02 Aug 2010 16:36:45 +0000</lastBuildDate>
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		<title>In the Line of Sight at SIGGRAPH Art Gallery, July 25-29, Los Angeles Convention Center</title>
		<description>

The SIGGRAPH 2010 juried art gallery showcases work by artists who physically engage technology in their creative process. Beyond the sense of sight, TouchPoint brings together creative works that investigate, celebrate, and critique the polysensory nature of human experience in a digitally enhanced environment. It investigates the permeable membrane of ...</description>
		<link>http://inthelineofsight.org/?p=187</link>
			</item>
	<item>
		<title>CyberArts Exhibition</title>
		<description>

In the Line of Sight is featured in CyberArts 2009, Prix Ars Electronica Exhibition

September 4 - October 4, 2009

OK Center for Contemporary Art, Linz, AUSTRIA

http://www.ok-centrum.at/ausstellungen/cyberarts_09/cyberarts_09.html </description>
		<link>http://inthelineofsight.org/?p=173</link>
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	<item>
		<title>Detroit Exhibition</title>
		<description>



See images and video of In the Line of Sight at Elaine L. Jacob Gallery in Detroit. </description>
		<link>http://inthelineofsight.org/?p=159</link>
			</item>
	<item>
		<title>flashlight mounting hardware</title>
		<description>

The picture above shows one of the flashlights in a microphone stand and clip. The microphone clip still needs to be slightly modified, so that it also allows the flashlight to sit exactly horizontally. This can be done with a little cut near the clip's hinge (see picture below):



The microphone ...</description>
		<link>http://inthelineofsight.org/?p=99</link>
			</item>
	<item>
		<title>More clips for a database of suspicious movements</title>
		<description>

We continued our work with Rebecca and Don on Dec. 6th with a full day video shooting of individual movement sequences for a database of clips that are fed to the flashlight matrix. We are currently working on editing the clips and arranginging them in a database for a generative/emerging ...</description>
		<link>http://inthelineofsight.org/?p=93</link>
			</item>
	<item>
		<title>toward an experimental database of suspicious movements</title>
		<description>

We have started to work with Rebecca Bryant and Don Nichols of past)(modern performance duo on movement studies for the source video portion of In the Line of Sight. The first videos recorded on November 21, 2008 feature improvisations and experiments toward a database of suspicious and ambiguous movements in ...</description>
		<link>http://inthelineofsight.org/?p=81</link>
			</item>
	<item>
		<title>first digital model of flashlight arrangement</title>
		<description>

These are the first digital sketches of a possible spatial arrangement of the flashlights. This sketch is modeled after the early visualization posted here. The top picture shows a perspective of the curved flashlight matrix, the smaller pictures underneath illustrate close-up, top and side views.
More sketches of different spatial organization ...</description>
		<link>http://inthelineofsight.org/?p=73</link>
			</item>
	<item>
		<title>early model of flashlight arrangement</title>
		<description>Below are some pictures of an early model visualizing a possible arrangement of the flashlights.

Side view:



and top view (we aimed to arrange the flashlights in a way magnetic field lines behave):

 </description>
		<link>http://inthelineofsight.org/?p=57</link>
			</item>
	<item>
		<title>description of video content for the flashlight matrix</title>
		<description>Recent developments in computer-aided surveillance technology suggest artificial intelligence algorithms that are based less on the comparison of facial features than the analysis of  movement patterns. For example, the department of electrical and computer engineering of the University of Maryland's A. James Clark School of Engineering has developed a surveillance ...</description>
		<link>http://inthelineofsight.org/?p=54</link>
			</item>
	<item>
		<title>visual reference: Relâche</title>
		<description>This picture shows Francis Picabia’s landmark stage set-design for Relâche (1924), an avant-garde ballet created by the painter and his composer friend, Erik Satie. The idea of putting lights on the stage challenged traditional theatre lighting in which performers on stage are lit and the audience disappears in the dark. ...</description>
		<link>http://inthelineofsight.org/?p=52</link>
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